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Hippie Trail

Hippie trail

The hippie trail is a term used to describe the journeys taken by hippies in the 1960s and '70s from Europe, overland to and from eastern Asia. One of the key facts of the hippie trail was the desire to travel as cheaply as possible, thus usually the journeys were carried out by thumbing (hitchhiking). A number of cheap private buses also traveled the route, picking up and dropping off people en route. There were also trains that traveled part of the way, particularly across Eastern Europe, through Turkey and to central Iran, where public or private transportation could be obtained. Such journeys would typically start from various countries in Europe or, for those from America taking Icelandic Airlines, Luxembourg, and pass through 'key' spots such as Istanbul, Tehran, and Kabul, with Goa or Kathmandu the usual destinations. Kathmandu still has a road nicknamed Freak Street in memory of the many thousands of hippies who passed (and occasionally still pass) through. An alternative route was from Turkey via Syria, Jordan, and Iraq to Iran and then east. Further travel to southern India, Sri Lanka, or points east was also done. Many on the hippie trail were driven by the ideals of 'finding yourself' and 'communicating with other peoples' that often underlay the hippie movement. Western Europeans, North Americans, Australians, and Japanese composed bulk of the travelers. Ideas and experiences were exchanged in well known hostels and hotels along the way. Many carried backpacks and, while the majority were young, older people and families occasionally appeared. A number drove the entire distance. The overland trail came to an abrupt halt with the political changes at the end of the 1970's. The Soviet Union invaded Afghanistan and the Shah was deposed by an Islamic revolution in Iran. These events made it impossible for travellers to cross by the ancient Silk Route any longer. With a loosening of immigration in Iran the route has again become somewhat feasible, although ongoing conflict in Iraq, Afghanistan and some parts of Pakistan has made this part of the route difficult to negotiate.

External links

- [http://www.suite101.com/article.cfm/hitch_hiking/93093 Steve Abrams on the Hippie Trail] An account of hitchhiking across the overland trail in the old days
- [http://www.oland.co.uk/ Steve Abrams' Diary] (includes downloadable PDF file of entire diary)
- [http://www.tomthumb.org/ hitchhiking to india] - a modern day account of hitchhiking from England to India with no money
- [http://home.earthlink.net/~geduin/roadtrip.html Road to Kathmandu] - a page dedicated to the old Road to Kathmandu and those who traveled on it Category:Subcultures

Hippie

Hippie (also hippy) is a term originally used to describe some of the rebellious youth of the 1960s and 1970s. The word "hippie" was popularized by the late San Francisco Chronicle columnist Herb Caen. Caen's articles were always written with the help of notes and letters from his San Francisco fan base. He is also credited as among the first to include the words beatnik and yuppie in his column. Though not a cohesive cultural movement with manifestos and leaders, some hippies expressed their desire for change with communal or nomadic lifestyles, by renouncing corporate influence, consumerism and the Vietnam War, by embracing aspects of non-Judeo-Christian religious cultures (including much Eastern philosophy), and with criticism of Western middle class values. Such criticism included the views that the government was paternalistic, corporate industry was greedy and domineering, traditional morals were askew, and war was inhumane. The structures and institutions they rejected came to be called The Establishment. Hippies of the time were interested in "tuning in to their inner minds" (with or without drugs, mystic meditation) and improving mainstream society. Influence in hippie culture is sometimes akin to Eastern religions, philosophies, and associations. Although mainstream culture is not associated with hippie ways, modern hippies nonetheless exist as made apparent on sites such as Hippyland and events such as Rainbow Family Gatherings.

Origins

In the 1940s and 1950s the term "hipster" came into usage by the American Beat generation to describe jazz and swing music performers, and evolved to also describe the bohemian-like counterculture that formed around the art of the time. The 1960s hippie culture evolved from the beat culture, and was greatly influenced by changing music style and the creation of rock & roll from jazz. The first use of the word Hippie on Television was on WNBC TV Channel 4 in New York City at the opening of the New York World's Fair in 1964. Some young Anti-Vietnam War protesters, wearing t-shirts, denim jeans and with long hair like The Beatles, were called Hippies by NYPD and reporters. The police swung their batons at them to chase them off the escalators and they fought back. On the East coast of the U.S., in Greenwich Village, young counterculture advocates were called, and referred to themselves as "hips". To be "hip" meant at that time, "to be in the know". Young disaffected youth from the suburbs of New York City flocked to the Village in their oldest clothes, to fit into the counterculture movement, the coffee houses, etc. Radio station WBAI was the first media outlet to use the term "hippie" to describe the poorly-dressed middle class youths as a pejorative term originally meaning "hip wannabes". September 6, 1965, marked the first San Francisco newspaper story, by Michael Fellon, that used the word "hippie" to refer to younger bohemians. The name did not catch on in mass media until almost two years later. Hippie action in the San Francisco area, particularly the Haight-Ashbury neighborhood, centered around the Diggers, a guerrilla street theater group that combined spontaneous street theater, anarchistic action, and art happenings in their agenda of creating a "free city". The San Francisco Diggers grew from two radical traditions thriving in the area in the mid-1960s: the bohemian/underground art/theater scene, and the new left/civil rights/peace movement. Los Angeles also had a vibrant hippie scene in the mid-'60s, arising from a combination of the L.A. beat scene centered around Venice and its coffeehouses, which spawned the Doors, and the Sunset Strip, the quintessential L.A. hippie gathering area, with its seminal rock clubs, such as the Whisky-a-Go-Go, and the Troubadour just down the hill. The Strip was also the location of the actual protest referred to in the Buffalo Springfield's early hippie anthem of 1966, For What It's Worth. Summer 1967 in Haight-Ashbury became known as the "Summer of Love" as young people gathered (75,000 by police estimates) and shared the new culture of music, drugs, and rebellion. The outdoor 'human be-in' concert started the 'Summer of Love'However, the Diggers felt co-opted by media attention and interpretation, and at the end of the summer held a Death of Hippie parade. The hippie movement reached its height in the late 1960s, as evidenced by the July 7, 1967 issue of TIME magazine, which had for its cover story: The Hippies: The Philosophy of a Subculture. Because many hippies wore flowers in their hair and distributed flowers to passersby, they earned the alternative name, "flower children".

Politics

Hippies often participated in peace movements, including peace marches such as the USA marches on Washington and civil rights marches, and anti-Vietnam War demonstrations including the 1968 Democratic Convention. Yippies represented a highly politically active sub-group. By 2005 standards, they're prone to hedonism and pacifism. The culture has also rapidly embraced postfeminist and mostly postmodern "principles" in wake of the twenty-first century. Though hippies embodied a counterculture movement, early hippies were not particularly tolerant of homosexuality. Acceptance of homosexuality grew with the culture and by today's standards such "issues" are non-existent. Hippie political expression also took the form of "dropping out" of society to implement the changes they sought. The back to the land movement, cooperative business enterprises, alternative energy, free press movement, and organic farming embraced by hippies were all political in nature at their start. When the modern the hippy is concerned with politics, they mostly uphold a liberal or libertarian stance.

Drugs

Driven by the appeal of the Sixties "drug guru", Harvard professor Timothy Leary, who advocated hallucinogenic drugs as a form of mind expansion, many hippies participated in recreational drug use, particularly marijuana (see cannabis, cannabis (drug), and hashish) and hallucinogens such as LSD (see both psychedelic and psychedelic drug) and psilocybin (see Psychedelic mushroom). Some hippies prize marijuana for its iconoclastic, illicit nature, as well as for its psychopharmaceutical effects. Although some hippies did not use drugs, drug use is a trait often ascribed to hippies. Some hippies used drugs to express their disaffection with societial norms. Drugs were, and still are, controversially considered a central theme in hippy culture.

Legacy

By the 1970s, much of the hippie style, but little of its substance, had passed into mainstream culture. The media lost interest in the subculture, as it went out of fashion with younger people and even became the target of their ridicule with the advent of punk rock. However, many hippies made, and continue to maintain, long-term commitments to the lifestyle. As of 2005, hippies are found in bohemian enclaves around the world or as wanderers following the bands they love. Since the early 1970s, many rendezvous annually at Rainbow Gatherings. Others gather at meetings and festivals, such as the [http://www.PeaceFest2005.tk Peace Fest]. In the United Kingdom the New age travellers movement revived many hippie traditions into the 1980s and 1990s.

Characteristics

- Longer hair and fuller beards than current fashion. Many white people with curly or natty hair associated with the 1960s counterculture and civil rights movement wore their hair in afros in earnest imitation of African Americans. Some people find the longer hair offensive. They believe it is unhygienic, frivolous, or feminine; or offensive because it violates traditional cultural expectations. (When Hair moved from off-Broadway to a large Broadway theater in 1968, the hippie counterculture was already diversifying and fleeing traditional urban settings.)
- Bright-colored clothing, and unusual styles, such as bell-bottom pants, tie-dyed garments, dashikis, peasant blouses, and non-Western inspired clothing. Much of their clothing was self-made in protest of Western consumer culture. Head scarves and long beaded necklaces, for both men and women, were also fashionable.
- Listening to certain styles of music; psychedelic rock such as Jimi Hendrix and Jefferson Airplane, blues such as Janis Joplin, traditional Eastern music, particularly from India, or rock music with eastern influences, soulful funk like Sly & The Family Stone, and jam bands like the Grateful Dead.
- Performing music casually, often with guitars, in friends' homes, or for free at outdoor fairs such as San Francisco's legendary "Human Be-In" of January 1967, the Woodstock Festival of August 15, 16, 17, 1969, or contemporary gatherings like Burning Man festival.
- The VW Bus is usually known as the counterculture/hippie symbol; a peace symbol is usually painted where the VW logo would otherwise be seen. Because of its low cost (during the late sixties), it was revered as a utilitarian vehicle. A majority of buses were usually repainted with graphics and/or custom paint jobs - this was the predecessor of the modern-day art car. Although not as common they did also use the Chevrolet Corvair cars and vans.
- Free love (See also: Sexual revolution).
- Communal living
- Use of incense

Pejorative connotations

The term hippie has also been used in a derogatory sense, to describe long-haired unkempt drug users. Among those of the Beat Generation, the flood of youngsters adopting Beatnik sensibilities, appeared to be cheap, mass-produced imitations of the Beatnik artist community. By Beat standards, these newcomers were not "clever" enough to really be "hip". On the other hand, conservatives used the term hippie as an insult toward young adults whom had a leftist, liberal, and other progressive outlooks on life. Bands members like the Beatles defied and baffled adults in adopting long, shaggy hair. Such showmanship of apathy to appearance is but one aspect hippies encompass in defiance of preconceived adult establishments. Today, the term hippie is often used by more conservative or mainstream people with the pejorative connotation of irresponsibility and participation in recreational drug use. A modern pop culture example of the word hippie as an insult is its use by the cartoon character Eric Cartman in the South Park series (see the "Die Hippie, Die" episode, excerpts from which can be viewed [http://www.yoism.org/?q=node/44 here]).

Hippy

South Park "Neo-hippies" or simply "hippy" is a name given to turn of the 21st century youths who still believe in the hippie philosophy from back in the day. Dreadlocks — especially with beads sewn into them — remain popular amongst neo-hippies. Much like their 1960s counterparts, the peace, and justice, and environmental responsibility themes continue. Especially with antiwar demonstrations in the wake of the Gulf War II, and repealing Patriot Acts I and II. The art car has replaced the VW Bus since these are sought-after by collectors. A few hippie-era buses remain. Also, a knack for environmentally-friendly technology like hybrid vehicles have also gained massive acceptance and promotion. Car-free lifestyles that rely on bicycles, public transit and walking are also gaining popularity among neo-hippies as the ecological impact of driving, coupled with the true personal and social cost of owning a car, become more widely understood. Vegetarianism, Veganism, and beliefs in animal rights are also evident, and may grow out of a common perception of responsibility for preserving the natural environment in the interest of both personal and communal well-being. See also Environmentalism. Drug usage is just as prevalent as existed in the "original" hippie days.

External links

- [http://www.haroldhill.org/section_five/section_five_page_five.htm Harold Hill: A People's History - Seize the Time]
- [http://members.aol.com/Fredwaite/hippies.html Illustrated History of The Hippies]
- [http://www.lib.virginia.edu/small/exhibits/sixties/list.html Psychedelic 60s: Table of Contents]
- [http://groups-beta.google.com/group/Hippiemovement The Hippie Movement, an example of present day hippies]
- [http://hippiepersonals.com hippiePersonals: A peacenik progressive portal for good green people to mingle with other like-minded intelligent folks.]
- [http://www.hippiemuseum.org The Hippie Museum]
- Trey Parker's critique of hippies in the Die Hippie, Die episode of South Park can be viewed [http://www.yoism.org/?q=node/44 here]
- [http://hippygourmet.com Hippy Gourmet TV Show: A weekly, national PBS cooking series that features peace, love and good eats]
- [http://www.hipforums.com/forums/index.php The Hip Forums, online Free Speach / Hippy forums]
- [http://www.ukhippy.com UK Hippy - UK-focused hippy forum and portal]

Bibliography

- Dr. Kent, Stephen A. From slogans to mantras: social protest and religious conversion in the late Vietnam war era Syracuse University press ISBN 0-8156-2923-0 (2001)
- [http://www.cjfishlegacy.com/ CJ Fishlegacy.com]
- [http://www.gotarevolution.com/ Jeff Tamarkin] Category:Social groups Category:Stereotypes Category:Subcultures Category:1960s ja:ヒッピー

1970s

The 1970s in its most obvious sense refers to the decade between 1970 and 1979. The decade is remembered by many as the 1960s rapidly running out of steam, and the gloom of recession replacing the optimism of the 1960s Flower Power era. The United States, which had become an influential global power, experienced much of the transition. While the sixties saw social activism, society became more self-absorbed in the seventies. Analyst and writer Tom Wolfe epitomized this feeling in 1976, calling the seventies the "Me Decade." Music became at once more introspective with the singer-songwriter movement and more carefree with the rise of disco music. As the decade continued on, the American world view became apprehensive, with continuing inner-city poverty and rising urban crime rates, the Watergate hearings broadcast on television, and the Vietnam War still fresh in the national memory. Network, arguably one of the decade's most representative films, dealt with narcissism and paranoia as violence escalated in the Middle East and America was crippled by the Oil Shock of 1973. As the economy slipped, the use of recreational drugs increased and many began to fear purported cults such as the Children of God. By the end of the decade the feminist movement had helped improve women's working conditions and environmentalism had become a major cause in the United States and Europe. While the United States experienced recession, the economy of Japan rose to claim the top spot on the world stage. The economies of many third world countries continued to bloom in the early 1970s through the green revolution. They might have thrived and become stable in the way that Europe recovered after the war through the Marshall Plan; however, the economic growth was stunted by the oil crisis. In 1973, foreign peacekeepers fled Vietnam, and the war that had lasted for nearly a decade ended with the Paris Peace Accords and communism continuing to spread. In neighboring Cambodia, several million citizens were executed by communist leader Pol Pot. Meanwhile, black South Africans still remained under apartheid following the death of activist Steve Biko.

Worldwide trends in the Seventies

The ethos of the 1970s emerged from a transition of the global social structure. It reflected the transition from the decline of colonial imperialism since the end of World War II to globalization and the rise of a new middle class in the developing world. Globally, the 1970s had several features that were similar and definitive across economic levels and regions. These aspects and essence that make up global essence of the 1970s are the defining points of the 1970s: the Bretton Woods system and its subsequent failure, the impact of the contraceptive pill on social-interactional dynamics, and the oil shock of 1973. The developing nations experienced economic growth that came in the wake of political independence. However, several African economies declined and political states became dictatorial regimes. Many Middle Eastern democracies crumbled into chaotic regimes with pseudo democratic governments. The 1970s ethos in much of the developing world was characterized by:
- the incessant need to redefine social norms to newer socioeconomic systems,
- the sheer pace at which they need to adapt to new social influences along with the need to integrate it to their native cultural context, and
- the constant aspiration for a more egalitarian society in cultures that were long colonised and have an even longer history of hierarchical social structure. The green revolution of the late 1960s brought about self sufficiency in many developing economies. At the same time an increasing number of people began to seek urban prosperity over agrarian life. This consequently saw the duality of transition of diverse interaction across social communities amid increasing information blockade across social class. Other common global ethos of the seventies world include: increasingly flexible and varied gender roles for women. Women could now enter the work force and not just be housewives. However the gender role of men remained as that of a bread-winner. The period also saw unprecedented socioeconomic impact of an ever-increasing number of women entering the non-agrarian economic workforce, and the sweeping cultural-religious impact of the Iranian revolution toward the end of the 1970s. The global experience of the cultural transition of the 1970s and an experience of a global zeitgeist revealed the interdependence of economies since World War II, and showed the huge impact of American economic policies on the world.

Economy of the Seventies

The developed economies of the world, the 1970s adversely distinguished itself from the prosperous postwar period between 1945 and 1969. Then, the world economy was buoyed by the Marshall Plan and the robust American economy. However, the high standing enjoyed by the American economy gradually became discomposed by loose domestic and war spending, particularly the Vietnam war. The oil shock of 1973 added to the existing ailments and conjured high inflation throughout much of the world for the rest of the decade. World leaders, such as James Callaghan of the United Kingdom, and Jimmy Carter of the United States, could not control it, causing their support to dwindle. Although there was no economic depression, the period is known for "stagflation", in which inflation and unemployment steadily increased, therefore leading to lower economic growth rates than previous decades. In Eastern Europe, Soviet-style command economies began showing signs of stagnation, in which successes were persistently dogged by setbacks. The oil shock increased East European, particularly Soviet, exports, but agriculture became a growing annoyance to such economies.

Oil crisis

Jimmy Carter, were common throughout the Western world. Also common were long lines to receive rationed petrol products.]] Economically, the seventies were marked by the energy crisis which peaked in 1973 and 1979 (see 1973 oil crisis and 1979 oil crisis). After the first oil shock in 1973, gasoline was rationed in many countries. Europe particularly depended on the Middle East for oil; the US was also affected even though it had its own oil reserves. Many European countries introduced car-free days. In the US, customers with a license plate ending in an odd number were only allowed to buy gasoline on odd-numbered days, while even-numbered plate-holders could only purchase gasoline on even-numbered days. The experience that oil reserves were not endless and technological development was not sustainable without harming the environment ended the age of modernism. As a result, ecological awareness rose.

Social movements

Environmentalism

The seventies touched off a mainstream affirmation of the environmental issues early activists from the '60s, such as Rachel Carson, warned about. The moon landing that had occurred at the end of the previous decade transmitted back concrete images of the earth as an integrated, life-supporting system and shaped a public willingness to preserve nature. On April 22, 1970, the United States celebrated its first Earth Day in which over two thousand colleges and universities and roughly ten thousand primary and secondary schools participated. Over the course of the decade, in the US a series of environmentally friendly legislation would be passed. Notable actions included the establishment of the Environmental Protection Agency in 1970, the passage of Clean Water Act in 1972, and the enactment of the Endangered Species Act the next year. The takeoff of environmental thought rose parallel to the increased usage of nuclear power over fossil fuels. However, with the increasing expenses of nuclear power the opposition likewise grew. [http://www.globalpublicmedia.com/articles/180] Opposition to nuclear power became widespread in reaction to the partial meltdown of the Three Mile Island nuclear plant on March 28, 1979.

Feminism

Feminism in the United States got its start in the 1960s, but began to take flight starting in 1970, with the fiftieth anniversary of the passage of the Nineteenth Amendment to the United States Constitution (which legalized female suffrage). With the anthology Sisterhood is Powerful and other works being published at the start of the decade, feminism started to reach a larger audience.

Gay rights

The Stonewall riots, which occurred in New York City in June 1969, are generally considered to have ignited the modern gay rights movement, especially in North America (the U.K. had already decriminalised homosexuality in 1967). In the 1970s, in western countries and especially so in major urban centers, gay and lesbian people came out of the closet as never before (even as many others remained closeted) and a vocal and visible gay-rights movement coalesced in an unprecedented way. Considering the profound stigma attached to homosexuality at the dawn of the 1970s, the movement, although still nascent, saw tremendous gains over the course of the decade. The American Psychiatric Association removed homosexuality from its list of psychiatric disorders in 1973. Gay-rights ordinances were passed by several cities (beginning with Ann Arbor, Michigan in 1972), and, for the first time, a few openly gay people were elected to political office in the United States. In 1977 Harvey Milk, a politically active gay man in the emerging gay neighborhood The Castro, was elected to the Board of Supervisors in San Francisco. Milk and liberal San Francisco mayor George Moscone were assassinated the following year; in 1979 their assassin, Dan White, received a sentence of voluntary manslaughter. The anger the gay community felt about the murders and about White's light sentence further galvanized the movement. The increasing visibility of gay people also generated a backlash during the seventies. In perhaps the most discussed anti-gay rights campaign of the decade, singer Anita Bryant led a successful drive in 1977 to repeal a gay-rights ordinance in Dade County, Florida. The new openness about homosexuality proved disconcerting to some heterosexuals who had been accustomed to gay and lesbian people remaining closeted and politically silent. "The love that dare not speak its name," Canadian author Robertson Davies wrote during the decade, referencing the famous Lord Alfred Douglas quote, "has become the love that won't shut up." On October 14, 1979, approximately 100,000 people marched in Washington, D.C., in the largest pro-gay rights demonstration up to that time.

Culture during the Seventies

Emerging social perspectives in the Seventies

In the wake of the 1960s many of the social dimenisions and perspectives towards issues were increasingly seen in liberal perspectives. Universities became more friendly and less authoritative towards students. This was reflected in the corporate culture of the 1970s, where the hierarchy between supervisor and subordinates became increasingly flat. This had influence in social interaction and family relationship as well. The nuclear family rose to prominence in the third world and the role of women in nuclear families took radical shift from those of earlier generations. With the rise of nuclear family and liberal attitudes towards social structure came new perspectives to child rearing and education. The 70s saw a decline in attendance to boarding schools and a rise of local day schools. The role of the nuclear family and the parent was increasingly noticed and given new impetus. Social norms and laws were increasingly framed in favour of women.

The Seventies in music

The seventies were a time when a new generation of young people were exposed to new media and hence newer ideas in almost every field. Elvis was probably the biggest entertainer in the world in the 70´s and in 1973 he held the historic Hawaain concert which was televised worldwide to almost 1.5 billion people from over 40 countries. TV and motion picture brought to varied audiences images, lifestyles and music from diverse regions and peoples. This led to the emergence of a new vocabulary and experimentation in music. After the war the second generation of German musicians began experimenting with music, these included experimental classical music and the tradition of Krautrock or Kraut music, rooted in the experimental classical music. This later influenced both art rock and progressive rock. The main exponents of this genre include Genesis, Yes, Emerson, Lake & Palmer and space rock giants Pink Floyd. The experimental nature of progressive rock is exemplified in songs such as Pink Floyd's Echoes. The seventies is also when many legendary rock bands started, or hit their peak, including The Rolling Stones, Led Zeppelin, Aerosmith, AC/DC,Queen (Band),Black Sabbath]], KISS, The Who, and Van Halen. Another experimentation in European classical music was brought about by composer Philip Glass and Michael Nyman, with what was to be called Minimalist music. This was a break from the intellectual serial music of the tradition of Schoenberg which lasted from the early 1900s to 1960s. Minimalist music sought to appreciate simple music with systematic patterns repeated in complex variations. These experimentations were also used in several movies made in the early 1970s. In world music the musical collaboration of violinists Yehudi Menuhin and L. Subramaniam was appreciated by a large audience. The commercial cinemas around the world tended to imitate nuances of disco beats in their movies to present their movies as western and upbeat. These included the increasingly popular Kung-fu movies in far East Asia and Bollywood movies from India. One of the most successful European groups of the decade was the quartet ABBA. The Swedish group, who are still the most successful group from their country, first found fame when they won the 1974 Eurovision Song Contest. They became one of the most widely known European groups ever, and were the decade's biggest sellers. "Waterloo" and "Dancing Queen" are two of ABBA's most popular songs. To many people, the Seventies will be most remembered for the rise in disco music. First creeping into dance clubs in the mid-seventies (with such hits as "The Hustle" by Van McCoy), songstresses like Donna Summer, Gloria Gaynor, Dalida and Anita Ward popularized the genre and were described in subsequent decades as the "disco divas." The Village People scored a Top Ten hit with "Y.M.C.A." and the Bee Gees had a string of #1s following their collaboration on the Saturday Night Fever soundtrack. As quickly as disco's popularity came, however, it fell out of favor with the new decade, and effectively died in 1981, with the popularity of New Wave bands such as Blondie and Devo, who both formed their respective bands in the seventies. Many of the aforementioned singers who became popular during the disco era found themselves out of tune with the 1980s, and were out of work for many years, until a renewed interest in disco brought many of them back to the forefront. Many songs from the disco era are still very popular dance hits and receive continuous airplay in nightclubs throughout the world. The mid-seventies saw the rise of punk music from its protopunk/garage band roots in the 1960s and early 1970s. The Ramones, the Sex Pistols, and The Clash were some of the earliest acts to make it big in both the United Kingdom and the United States. Groups like the Clash were noted for the experimentation of style, especially that of having strong reggae influences in their music. Punk music has also been heavily associated with a certain punk fashion and absurdist humor which exemplified a genuine suspicion of mainstream culture and values.

The Seventies in cinema

World cinema

In cinema all over the world, the seventies brought about vigour in adventurous and realistic complex narratives with rich cinematography and elaborate scores. The cultural interaction between aided with TV and visual media and the rise in motion picture technology ushered in a new period of motion picture making. In European cinema, the failure of the Prague Spring brought about nostalgic motion pictures reminiscent of the ones that celebrate the 1970s itself. These movies expressed a yearning and as a premonition to the decade and its dreams. The Hungarian director István Szabó made the motion picture Szerelmesfilm (1970), which is a nostalgic portrayal and a premonition of the fading of the young 1970s ethos of change and a friendlier social structure. The Italian director Bernardo Bertolucci made the motion picture The Conformist (1970). German movies after the war aksed existential questions especially the works of Rainer Fassbinder. The movies of the Swedish director Ingmar Bergman reached a new level of expression in motion pictures like Cries and Whispers (1973). Young German directors made movies that came to be called as the German new wave. It was the voice of a new generation that had grown up after the second world war. These included directors like Wim Wenders, Hans-Jürgen Syberberg and Werner Herzog. Wim wenders made movies that explored psychological states of humans in situations intimate and significant to the characters. He made Die Angst des Tormanns beim Elfmeter (The Goalkeeper's Fear of the Penalty Kick) in 1972. It was based on a novella by Peter Handke. He further explored this realm in the motion picture Alice in den Städten (Alice in the Cities), 1974. Hans-Jürgen Syberberg created a sensation in 1977 with the motion picture Hitler: ein Film aus Deutschland (Hitler a film from Germany). It was a seven hour movie which attempted to investigate hitler under the shadows of wagner art and Nazi nationalism. This was followed by the expressionist movie Woyzeck (1979) by Werner Herzog. Asian cinema of the 1970s catered to the rising middle class fantasies and struggles. In the Bollywood cinema of India this was epitomised by the movies of Bollywood superhero Amitabh Bachchan. These movies portrayed adventurous plots with car chase trying to imitate hollywood movies like The French Connection, presented music with Disco beats and also presented the young middle class man as an "angry young man". The women on the other hand were shown as ones who have adopted western values and outfits especially by heroines like Parveen Babi (who was featured on the cover of TIME for a story on Bollywood's success) and Zeenat Aman. However towards the very end of the 1970s, especially after the steep rise in land prices in urban areas and the decline in employment security, the heroines were seen more often as saree-women striving to have a prosperous middle class family especially heroines like Jayaprada and Hema Malini. In this way the cinema of asian region becomes a sociological statement of the social-economic times of the region and its people. Other movie industry of the region produced fine masterpieces like in Malayalam cinema. Adoor Gopalakrishnan made Swayamvaram in 1972, which got wide critical acclaim. This was followed by the movie Nirmalyam by M.T. Vasudevan Nair in 1973.
Hollywood
The decade opened with Hollywood facing a financial slump, reflecting the monetary woes of the nation as a whole during the first half of the decade. Despite this, the seventies proved to be a benchmark decade in the development of cinema, both as an art form and a business. With young filmmakers taking greater risks and restrictions regarding language and sexuality lifting, Hollywood produced some its most critically acclaimed and financially successful films since its supposed "golden era." Hollywood for his role in the 1972 hit The Godfather. He boycotted the ceremony and sent Native American Sacheen Littlefeather to reject the award on his behalf. Also pictured are Roger Moore and Liv Ullmann.]] In the years previous to 1970, Hollywood had began to cater to the younger generation with films such as The Graduate and Topless Nurses. This proved a folly when anti-war films like R.P.M. and The Strawberry Statement became major box-office flops. Even solid films with bankable stars, like the Pearl Harbor epic Tora! Tora! Tora!, flopped, leaving studios in dire straights financially. Unable to repay financiers, studios began selling off land, furniture, clothing, and sets acquired over years of production. Nostalgic fans bid on merchandise and collectables ranging from Judy Garland's sparkling red shoes to MGM's own back lots. More of the successful films were those based in the harsh truths of war, rather than the excesses of the '60s. Films like Patton, about the World War II general, and M
- A
- S
- H, about a Korean War field hospital, were major box-office draws in 1970. Honest, old-fashioned films like Five Easy Pieces, Summer of '42, and the Erich Segal adaptation, Love Story, were commercial and critical hits. (Love Story and "Summer" remain, as of 2005, two of the most successful films in Hollywood history. "Summer," costing $1,000,000 USD, brought in $25,000,000 at the box office, while "Love Story," with a budget of $2,200,000, earned $106,400,000). One of the most insightful films of the decade came from the mind of a Hollywood outsider, Czechoslovakian director Milos Forman, whose Taking Off became a bold reflection of life at the beginning of the seventies. The 1971 satirized the American middle class, following a young girl who runs away from home, leaving her parents free to explore life for the first time in years. While the film was never given a wide release in America, it became a major critical achievement both in America and around the world (garnering the film high honors at the Cannes Film Festival and several BAFTA Award nominations). An adaptation of an Arthur Hailey novel would prove to be one of the most notable films of 1970, and would set the stage for a major trend in seventies cinema. The film, Airport, featured a complex plot, characters, and an all-star cast of Hollywood A-listers and legends. Airport followed an airport manager trying to keep a fictional Chicago airport operational during a blizzard, as well as a bomb plot to blow up an airplane. The film was a major critical and financial success, helping pull Universal Studios into the black for the year. The film earned senior actress Helen Hayes an Oscar for Best Supporting Actress and garnered many other nominations in both technical and talent categories. The success of the film launched a slew of disaster-related films, many of which following the same blueprint of major stars, a melodramatic script, and great suspense. disaster Three Airport sequels followed in 1974, 1977, and 1979, each successor making less money than the last. 1972 brought The Poseidon Adventure, which starred a young Gene Hackman leading an all-star cast to safety in a capsized luxury liner. The film earned an Academy Award for visual effects (and Best Original Song for "The Morning After," as well as numerous nominations, including one for its notable supporting star, Shelley Winters. The Towering Inferno teamed Steve McQueen and Paul Newman against a fire in a New York skyscraper. The film cost a whopping $14 million to produce (expensive for its time), and won Academy Awards for Cinematography, Film Editing, and Best Original Song. The same year, the epic Earthquake featured questionable effects (camera shake and models) to achieve a destructive 9.9 earthquake in Los Angeles. Despite this, the film was one of the most successful of its time, earning $80 million at box office. By the late seventies, the novelty had worn off and the disasters had become less exciting. 1977 brought a terrorist targeting a Rollercoaster, a 1978 Swarm of bees, and a less-than-threatening Meteor in 1979. 1971 brought a rebirth of the action film, three years after the influential Bullitt. The French Connection, starring Gene Hackman, brought suspense to new heights with an adrenaline-broiling car chase through the streets of New York City, while Get Carter featured gratuitous nudity and A Clockwork Orange featured much blood and gore to complement its complex story. African American filmmakers also found success in the seventies with such hits as Shaft and Sweet Sweetback's Baadasssss Song, and more questionable films, such as Blacula and Blackenstein. Like other sequels in the seventies, Shaft went on to have two more adventures, each less successful than the last. An adaptation of a Mario Puzo novel, The Godfather, became one of the best-loved and most respected works of cinema upon its release in 1972. The three-hour epic followed a Mafia boss, played by Marlon Brando, through his life of crime. Beyond the violence and drama were themes of love, pride, and greed. The Godfather went on to earn $134 million at American box office, and $245 million throughout the world. It won Academy Awards for Best Picture, Best Actor, and Best Screenplay. Its director Francis Ford Coppola was passed over in favor of Bob Fosse and his musical, Cabaret, which also earned an Oscar for its star, Liza Minnelli. The Godfather: Part II followed in 1974, with roughly the same principal cast and crew, earning Oscars for star Robert De Niro, its director, composer, screenwriters and art directors. The film also earned the Best Picture Oscar for that year. The replacement of Sean Connery, first with George Lazenby and then with Roger Moore, in the James Bond series created a minor bump for the '60s hit in the seventies. While 1973's Live and Let Die was a moderate success, the following films in the series didn't live up to expectations. The highest grossing of the seventies Bond films, 1979's Moonraker, is viewed by many as the weakest of the franchise. Other massively successful films would soon take Bond's place in the seventies. It was at this time that the blockbuster was born. While the 1973 horror classic The Exorcist was among the top five grossing films of the seventies, the first film given the blockbuster distinction was 1975's Jaws. Released on June 20th, the film about a series of horrific deaths related to a massive great white shark was director Steven Spielberg's first big-budget Hollywood production, coming in at a cool $9 million in cost. The film slowly grew in ticket sales and became one of the most profitable films of its time, ending with a $260 million dollar gross in the United States alone. The film won Academy Awards for its skillful editing, chilling score, and sound recording. It was also nominated for Best Picture that year, though it lost to Milos Forman's One Flew Over the Cuckoo's Nest (which also won acting awards for Jack Nicholson and Louise Fletcher). Louise Fletcher The massive success of Jaws was eclipsed just two years later by another legendary blockbuster and film franchise. The George Lucas science-fiction epic, Star Wars Episode IV: A New Hope, hit theater screens in May of 1977, and became a major hit, growing in ticket sales throughout the summer, and the rest of the year. In time earning some $460 million, the good versus evil fantasy set in space was not soon surpassed. The film's breathtaking visual effects won an Academy Award. The film also won for John Williams's uplifting score, as well as art direction, costume design, film editing, and sound. A New Hope effectively removed any specter of studio bankruptcy that had haunted the studios since early in the decade. When a television film, The Star Wars Holiday Special, was released as a spin-off from A New Hope in 1978, it failed to receive the status of the original film, and was deemed a flop. It would be two years until the Star Wars series would be revived with The Empire Strikes Back. Another success in visual effects came the same year as A New Hope, with Spielberg's Close Encounters of the Third Kind, another blockbuster and alien contact set in the wilderness. For the picture, Spielberg received his first Oscar nomination for direction. Throughout the seventies, the horror film developed into a lucrative genre of film. It began in 1973 with the terrifying The Exorcist, directed by William Friedkin and starring the young Linda Blair. The film saw massive success, and the first of several sequels was released in 1977. 1976 brought the equally creepy suspense thriller, Marathon Man, about a man who becomes the target of a former Nazi dentist's torment after his brother dies. The same year, the Devil himself made an appearance in The Omen, about the spawn of Satan. 1978's Halloween was a precursor to the "slasher" films of the eighties and nineties with its psychopathic Michael Myers. Cult horror films were also popular in the seventies, such as Wes Craven's early gore films Last House on the Left and The Hills Have Eyes, as well as Tobe Hooper's The Texas Chainsaw Massacre. In the mid-seventies movies began to reflect the disenfranchisement brought by the excesses of the past twenty years. A deeply unsettling look at alienation and city life, Taxi Driver earned international praise, first at the Cannes Film Festival and then at the Academy Awards, where it was nominated for Best Leading Actor (Robert De Niro), Best Supporting Actress (Jodie Foster), Best Score (Bernard Herrmann), and Best Picture. All the President's Men dealt with the impeachment of Richard Nixon, while Network portrayed greed and narcissism in both American society and television media. The film won Oscars for Best Actor (Peter Finch), Best Actress (Faye Dunaway), Best Supporting Actres (Beatrice Straight), and Best Screenplay (Paddy Chayefsky). Thanks to a stellar cast, experienced director, and a poignant story, Network became one of the largest critical successes of 1976. Another film, Rocky, about an average man turned boxer (played by Sylvester Stallone) won the Best Picture Academy Award that year. The film also became a major commercial success and spawned four sequels through the rest of the seventies and eighties. 1978 brought the successful sequel, Jaws 2, which featured the same cast, but without Steven Spielberg. Another tailor-made blockbuster, Dino de Laurentiis' King Kong was released, but to less than stellar success. King Kong did mark the first time a film was booked to theaters before a release date, a common practice today. King Kong, introduced the "disco lifestyle" to the world.]] The success of Woody Allen's Annie Hall in 1977 stirred a new trend in moviemaking. Annie Hall, a love story about a depressed comedian and a free-spirited woman, was followed with more sentimental films, including Neil Simon's The Goodbye Girl, An Unmarried Woman staring Jill Clayburgh,the autobiographical Lillian Hellman story, Julia, starring Jane Fonda and Vanessa Redgrave, and 1978's Heaven Can Wait and International Velvet. Younger audiences were also beginning to be the focus of cinema, after the huge blockbusters that had attracted them back to the theater. John Travolta became popular in the pop-culture landmark films, Saturday Night Fever, which introduced Disco to middle America, and Grease, which recalled the world of the 1950s. Comedy was also given new life in the irreverent Animal House, set on a college campus during the 1960s. Up in Smoke, starring Cheech and Chong, was another irreverent comedy about marijuana use became popular among teenagers. The new television comedy program, "Saturday Night Live," launched the careers of several of its comedians, such as Chevy Chase, who starred in the 1978 hit Foul Play with rising star Goldie Hawn. Blockbusters like Superman, starring former Love of Life actor Christopher Reeve, were also still popular. The decade closed with two films chronicling the Vietnam War, Michael Cimino's The Deer Hunter and Francis Ford Coppola's Apocalypse Now. Both films focused on the horrors of war and the psychological damaged caused by such horrors. Christopher Walken and director Michael Cimino earned Oscars for their work on the film, which earned a Best Picture Academy Award. Robert De Niro and Meryl Streep were also nominated for their work in The Deer Hunter. Apocalypse Now won for cinematography and sound, and earned nominations for Robert Duvall and Coppola. 1979 saw the poignant Kramer vs. Kramer, the inspiring Norma Rae, and the nuclear thriller, The China Syndrome. Meanwhile, The Onion Field and And Justice for All focused on the failures of the American judicial system. The year ended with Hal Ashby's subtle black comedy Being There and The Muppet Movie, a family film based on the Jim Henson puppet characters.
The Seventies in television

In the United States
Jim Henson At the start of the decade, long-standing trends in American television were finally reaching the end of the road. The Red Skelton Show and The Ed Sullivan Show, long-revered American institutions, were finally canceled after multi-decade spans. The "family sitcom," popularized by the travails of Ozzie and Harriet Nelson in the fifties and sixties, saw its last breath at the start of the new decade with The Brady Bunch, which ran for five seasons. Although the show was never highly rated during its original run, it has been broadcast in syndication continuously since 1974, and many children have grown up with it, causing them to think of the Bradys as the quintessential family—not only in 1970s television, but quite possibly all of American television. In the United States, television in the seventies was transformed by what became termed as "social consciousness" programming, spearheaded by television producer Norman Lear. All in the Family, his adaptation of the British television series Til Death Us Do Part, broke down television barriers. When the series premiered in 1971, Americans heard the words "fag," "nigger," and "spic" on national television programming for the first time. All in the Family was the talk of countless dinner tables throughout the country; Americans hadn't seen anything like it on television before. The show became the highest-rated program on US television schedules in the fall of 1971 and stayed in the top slot until 1976—to date, only one other series has tied All in the Family for such a long stretch at the top of the ratings. All in the Family spawned numerous spin-offs, such as Maude, starring Bea Arthur. Maude was Edith Bunker's cousin and Archie's arch-enemy. She stood for everything liberal and was an outspoken advocate of civil rights and feminism. Maude felt most comfortable, however, hiring a black woman as her housekeeper. Maude's housekeeper, Florida Evans (played by Esther Rolle), became popular in her own right and was given her own television series in 1974, Good Times, which proved to be another hit for Lear's production company. Lear developed two shows in 1975: The Jeffersons, a spinoff of All in the Family in which Archie Bunker's black next-door neighbors moved to a luxury apartment on the Upper East Side of Manhattan, and One Day at a Time, about a single mother raising her two teenage daughters in Indianapolis. Indianapolis With the rise in socially responsible programming, the television western, a very popular genre in the 1960s, slowly died out. The first casualties were The High Chaparral and The Virginian, both NBC staples, in the spring of 1971. Bonanza suffered a blow when actor Dan Blocker died during surgery in 1972, and the show quietly ended its run the next year. CBS's Gunsmoke outlasted them all, and finally ended its run with a star-studded series finale in 1975. Bonanza actor Michael Landon helped popularize a television adaptation of the popular children's book series Little House on the Prairie. Debuting in 1974, the series ran for eight years. Little Houses competitor family drama was CBS's The Waltons, which revolved around family unity but during a different time and place—Virginia during the Great Depression. By the mid-to-late 1970s, viewers tired of socially responsible sitcoms. CBS had aired most of Lear's creations and had led the US television ratings since the mid-1950s; since then the network had received a reputation as being the "Tiffany Network," showcasing the best in television. Former CBS head of programming Fred Silverman defected to struggling ABC, which saw a glimmer of hope in the early 1970s with the #1 hit show Marcus Welby, M.D., but eventually retreated to its traditional third-place spot. Silverman was instrumental in starting a new movement in American television, centered around sexual gratification and bawdy humor and situations. Critics called the new era "jiggle television," exemplified by the crime-fighting television series Charlie's Angels, which starred up-and-coming sex symbols Farrah Fawcett, Jaclyn Smith, and Kate Jackson. Kate Jackson Silverman was responsible for green-lighting more risqué sitcoms such as Three's Company, modeled after the British series Man About the House, in which swinging single-man Jack Tripper pretended to be gay in order to live in an apartment with two single women. Mildly controversial at the time, the show quickly became a Top Ten hit in the ratings. ABC also aired Soap, a sitcom that parodied soap operas, and garnered controversy by writing in one of the first gay characters on U.S. television. Many stations refused to air the series (another storyline consisted of heroine Corinne Tate, played by Diana Canova, lusting after a priest who eventually left the priesthood to marry her). Silverman's legacy also included the "fantasy" genre, which started in 1977 with The Love Boat. The series involved popular movie and television stars in guest roles as passengers on a luxury cruise liner that sailed up and down the Pacific Coast. Silverman followed up in 1978 with Fantasy Island, starring Ricardo Montalban and Hervé Villechaize. Montalban and Villechaize were the owner and sidekick, respectively, of a luxury island resort where peoples' wishes came true. Hervé Villechaize Another popular medium in US television moving into the 1970s was the soap opera, which moved from being a genre watched exclusively by housewives to having a sizable audience of men (who largely watched The Edge of Night) and college students; the latter audience helped All My Children gain a devoted following, as it was on during many universities' traditional "lunch period." In a TIME article written about the g

Europe
:This article is about the continent. For other meanings, see Europe (disambiguation). Europe is geologically and geographically a peninsula or subcontinent, forming the westernmost part of Eurasia. It is conventionally considered a continent, which, in this case, is more of a cultural distinction than a geographic one. It is bounded to the north by the Arctic Ocean, to the west by the Atlantic Ocean and to the south by the Mediterranean and Black Seas and the Caucasus. Europe's boundary to the east is vague, but has traditionally been given as the Ural Mountains and Caspian Sea to the southeast: the Urals are considered by most to be a geographical and tectonic landmark separating Asia from Europe. :See also Continent, Bicontinental country, and Table of European territories and regions. Table of European territories and regions Table of European territories and regions Europe is the world's second-smallest continent in terms of area, covering around 10,790,000 km² (4,170,000 sq mi) or 2.1% of the Earth's surface, and is only larger than Australia. In terms of population, it is the third-largest continent (Asia and Africa are larger) with a population of more than 700,000,000, or about 11% of the world's population.
Etymology
Africa.]] In Greek mythology, Europa was a Phoenician princess who was abducted by Zeus in bull form and taken to the island of Crete, where she gave birth to Minos. For Homer, Europé (Greek: Ευρωπη; see also List of traditional Greek place names) was a mythological queen of Crete, not a geographical designation. Later Europa stood for mainland Greece, and by 500 BC its meaning had been extended to lands to the north. The Greek term Europe has been derived from Greek words meaning broad (eurys) and face (ops) -- broad having been an epitheton of Earth herself in the reconstructed Proto-Indo-European religion; see Prithvi (Plataia). A minority, however, suggest this Greek popular etymology is really based on a Semitic word such as the Akkadian erebu meaning "sunset" (see also Erebus). From the Middle Eastern vantagepoint, the sun does set over Europe, the lands to the west. Likewise, Asia is sometimes thought to have derived from the Akkadian word asu, meaning "sunrise", and is the land to the east from a Mesopotamian perspective.
History
Europe has a long history of cultural and economic achievement, starting as far back as the Palaeolithic, although this is true for the rest of the Old World as well. The recent discovery at Monte Poggiolo, Italy, of thousands of hand-shaped stones, tentatively carbon-dated to 800,000 years ago, may prove to be of particular importance. The origins of Western democratic and individualistic culture are often attributed to Ancient Greece, though numerous other distinct influences, in particular Christianity, can also be credited with the spread of concepts like egalitarianism and universality of law. The Roman Empire divided the continent along the Rhine and Danube for several centuries. Following the decline of the Roman Empire, Europe entered a long period of changes arising from what is known as the Age of Migrations. That period has been known as the "Dark Ages" to Renaissance thinkers. During this time, isolated monastic communities in Ireland and elsewhere carefully safeguarded and compiled written knowledge accumulated previously. The Renaissance and the New Monarchs marked the start of a period of discovery, exploration, and increase in scientific knowledge. In the 15th century Portugal opened the age of discoveries, soon followed by Spain. They were later joined by France, the Netherlands and the United Kingdom in building large colonial empires with vast holdings in Africa, the Americas, and Asia. After the age of discovery, the ideas of democracy took hold in Europe. Struggles for independence arose, most notably in France during the period known as the French Revolution. This led to vast upheaval in Europe as these revolutionary ideas propagated across the continent. The rise of democracy led to increased tensions within Europe on top of the tensions already existing due to competition within the New World. The most famous of these conflicts was when Napoleon Bonaparte rose to power and set out on a conquest, forming a new French empire that soon collapsed. After these conquests Europe stabilised, but the old foundations were already beginning to crumble. The Industrial Revolution started in the United Kingdom in the late 18th century, leading to a move away from agriculture, much greater general prosperity and a corresponding increase in population. Many of the states in Europe took their present form in the aftermath of World War I. From the end of World War II through the end of the Cold War, Europe was divided into two major political and economic blocks: Communist nations in Eastern Europe and capitalist countries in Western Europe. Around 1990, with the fall of the Berlin Wall, the Eastern bloc disintegrated.
Geography and extent
Eastern bloc Geographically Europe is a part of the larger landmass known as Eurasia. The continent begins at the Ural Mountains in Russia, which define Europe's eastern boundary with Asia. The southeast boundary with Asia isn't universally defined. Most commonly the Ural or, alternatively, the Emba river can serve as possible boundaries. The boundary continues with the Caspian Sea, and then the Araxes river in the Caucasus, and on to the Black Sea; the Bosporus, the Sea of Marmara, and the Dardanelles conclude the Asian boundary. The Mediterranean Sea to the south separates Europe from Africa. The western boundary is the Atlantic Ocean, but Iceland, much farther away than the nearest points of Africa and Asia, is also often included in Europe. There is ongoing debate on where the geographical centre of Europe is. At times "Europe" is defined with greater regard to political, economic, and other cultural considerations. This has led to there being several different Europes that are not always identical in size, including or excluding countries according to the definition of Europe used. Almost all European countries are members of the Council of Europe, the exceptions being Belarus, and the Holy See (Vatican City). The idea of the European continent is not held across all cultures. Some non-European geographical texts refer to the continent of Eurasia, or to the European peninsula, given that Europe is not surrounded by sea. In the past concepts such as Christendom were deemed more important. In another usage, Europe is increasingly being used as a short-form for the European Union (EU) and its members, currently consisting of 25 member states. A number of other European countries are negotiating for membership, and several more are expected to begin negotiations in the future (see Enlargement of the European Union).
Physical features
In terms of shape, Europe is a collection of connected peninsulas. The two largest of these are "mainland" Europe and Scandinavia to the north, divided from each other by the Baltic Sea. Three smaller peninsulas (Iberia, Italy and the Balkans) emerge from the southern margin of the mainland into the Mediterranean Sea, which separates Europe from Africa. Eastward, mainland Europe widens much like the mouth of a funnel, until the boundary with Asia is reached at the Ural Mountains. Land relief in Europe shows great variation within relatively small areas. The southern regions, however, are more mountainous, while moving north the terrain descends from the high Alps, Pyrenees and Carpathians, through hilly uplands, into broad, low northern plains, which are vast in the east. This extended lowland is known as the Great European Plain, and at its heart lies the North German Plain. An arc of uplands also exists along the northwestern seaboard, beginning in the western British Isles and continuing along the mountainous, fjord-cut spine of Norway. This description is simplified. Sub-regions such as Iberia and Italy contain their own complex features, as does mainland Europe itself, where the relief contains many plateaus, river valleys and basins that complicate the general trend. Iceland and the British Isles are special cases. The former is a land unto itself in the northern ocean which is counted as part of Europe, while the latter are upland areas that were once joined to the mainland until rising sea levels cut them off. Due to the few generalisations that can be made about the relief of Europe, it is less than surprising that its many separate regions provided homes for many separate nations throughout history.
Biodiversity
Having lived side-by-side with agricultural peoples for millennia, Europe's animals and plants have been profoundly affected by the presence and activities of man. With the exception of Scandinavia and northern Russia, few areas of untouched wilderness are today to be found in Europe, except for different natural parks. The main natural vegetation cover in Europe is forest. The conditions for growth are very favourable. In the north, the Gulf Stream and North Atlantic Drift warm the continent. Southern Europe could be described as having a warm, but mild climate. There are frequent summer droughts in this region. Mountain ridges also affect the conditions. Some of these (Alps, Pyrenees) are oriented east-west and allow the wind to carry large masses of water from the ocean in the interior. Others are oriented south-north (Scandinavian Mountains, Dinarides, Carpathians, Apennines) and because the rain falls primarily on the side of mountains that is oriented towards sea, forests grow well on this side, while on the other side, the conditions are much less favourable. Few corners of mainland Europe have not been grazed by livestock at some point in time, and the cutting down of the pre-agricultural forest habitat caused disruption to the original plant and animal ecosystems. Eighty to ninety per cent of Europe was once covered by forest. It stretched from the Mediterranean Sea to the Arctic Ocean. Though over half of Europe's original forests disappeared through the centuries of colonisation, Europe still has over one quarter of the world's forests - spruce forests of Scandinavia, vast pine forests in Russia, chestnut rainforests of the Caucasus and the cork oak forests in the Mediterranean. During recent times, deforestation has been stopped and many trees were planted. However, in many cases conifers have been preferred over original deciduous trees, because these grow quicker. The plantations and monocultures now cover vast areas of land and this offers very poor habitats for European forest dwelling species. The amount of original forests in Western Europe is just two to three per cent (in the European part of Russia five to ten per cent). The country with the smallest forest-covered area is Ireland (eight per cent), while the most forested country is Finland (72 per cent). In "mainland" Europe, deciduous forest prevails. The most important species are beech, birch and oak. In the north, where taiga grows, a very common tree species is the birch tree. In the Mediterranean, many olive trees have been planted, which are very well adapted to its arid climate. Another common species in Southern Europe is the cypress. Coniferous forests prevail at higher altitudes up to the forest boundary and as one moves north within Russia and Scandinavia, giving way to tundra as the Arctic is approached. The semi-arid Mediterranean region hosts much scrub forest. A narrow east-west tongue of Eurasian grassland—the steppe—extends eastwards from Ukraine and southern Russia and ends in Hungary and traverses into taiga to the north. Glaciation during the most recent ice age and the presence of man affected the distribution of European fauna. As for the animals, in many parts of Europe most large animals and top predator species have been hunted to extinction. The woolly mammoth and aurochs were extinct before the end of the Neolithic period. Today wolves (carnivores) and bears (omnivores) are endangered. Once they were found in most parts of Europe. However, deforestation caused these animals to withdraw further and further. By the Middle Ages the bears' habitats were limited to more or less inaccessible mountains with sufficient forest cover. Today, the brown bear lives primarily in the Balkan peninsula, in the North and in Russia; a small number also persist in other countries across Europe (Austria, Pyrenees etc.), but in these areas brown bear populations are fragmented and marginalised because of the destruction of their habitat. In the far North of Europe, polar bears can also be found. The wolf, the second largest predator in Europe after the brown bear, can be found primarily in Eastern Europe and in the Balkans. Other important European carnivores are Eurasian lynx, European wild cat, foxes (especially the red fox), jackal and different species of martens, hedgehogs, different species of snakes (vipers, grass snake...), different birds (owls, hawks and other birds of prey) Important European herbivores are snails, amphibians, fish, different birds, and mammals, like rodents, deers and roe deers, boars, and living in the mountains, marmots, steinbocks, chamoises among others. Sea creatures are also an important part of European flora and fauna. The sea flora is mainly phytoplankton. Important animals that live in European seas are zooplankton, molluscs, echinoderms, different crayfish, squids and octopuses, fish, dolphins, and whales. Some animals live in caves, for example proteus and bats.
Demographics
Almost all of Europe was possibly settled before or during the last ice age ca. 10,000 years ago. Neanderthal man and modern man coexisted during at least some of this time. Roman road building helped with the interbreeding of the native Europeans' genetics. In contemporary times Europe has one of the lowest inbreeding rates in the world because of an extensive transport network paired with open borders. Europe passed well over 600 million people before the turn of the 20th century, but now is entering a period of population decline, for a variety of social factors.
Territories and divisions

Political divisions

Independent states
interbreeding on this map.]] :See also: Table of European territories and regions The following independent states have territory in Europe: ² Azerbaijan and Georgia lie partly in Europe according to the usual definition which consider the crest of the Caucasus as the boundary with Asia.
³ Kazakhstan's European territory consists of a portion west of the Ural and Emba Rivers.
⁴ The name of this state is a matter of international dispute. See Republic of Macedonia for details.
⁵ Those territories of Russia lying west of the Ural Mountains are considered as part of Europe.
⁶ State union of Republic of Serbia and the Republic of Montenegro.
⁷ European Turkey comprises territory to the west and north of the Bosporus and the Dardanelles straits.
^{2, 3, 5, 7} See Countries in both Europe and Asia for details.

Dependent territories
The European territories listed below are recognised as being culturally and geographically defined. Most have a degree of autonomy. In the list below, each territory is followed by its legal status.
- Faroe Islands (autonomous region of Denmark)
- Gibraltar (UK overseas territory)
- Guernsey (British crown dependency)
- Jersey (British crown dependency)
- Man, Isle of (British crown dependency)
- Svalbard (autonomous region of Norway) Note that this is not a list of all dependencies of all European countries. Dependencies located on other continents are not listed.
Unilaterally seceded territories
Following are breakaway regions of independent states. These regions have declared and de facto achieved independence, but this is not recognised de jure by their home state or by the other independent states.
- Abkhazia (from Georgia)
- Nagorno-Karabakh (disputed by Armenia and Azerbaijan)
- South Ossetia (from Georgia)
- Transnistria (from Moldova)
Territories under United Nations administration

- Kosovo and Metohia (province of Serbia)
Table of European territories and regions
Notes:
¹ Continental regions as per UN categorisations/map. Depending on definitions, various territories cited below (notes 2-6, 8, 9) may be in one or both of Europe and Asia.
² Armenia is sometimes considered a transcontinental country in Eastern Europe and Western Asia (as per UN categorisations/map).
³ Azerbaijan is often considered a transcontinental country in Western Asia (UN region) and Eastern Europe; population and area figures are for European portion only.
⁴Cyprus is often considered a transcontinental country in Western Asia (UN region) and Southern Europe; population and area figures are for de jure Greek-administered portion only.
⁵Georgia is often considered a transcontinental country in Western Asia (UN region) and Eastern Europe; population and area figures are for European portion only.
⁶Kazakhstan is sometimes considered a transcontinental country in Central Asia (UN region) and Eastern Europe.
⁷Netherlands population for July 2004; Amsterdam is the de facto capital, while The Hague is the country's administrative seat.
⁸

Hippie trail

See also

External links

Hippie

Origins

Politics

Drugs

Legacy

Characteristics

Pejorative connotations

Hippy

See also

European countercultures after WW2

External links

Bibliography

1970s

Worldwide trends in the Seventies

Economy of the Seventies

Oil crisis

Social movements

Environmentalism

Feminism

Gay rights

Culture during the Seventies

Emerging social perspectives in the Seventies

The Seventies in music

The Seventies in cinema

World cinema

Hollywood

The Seventies in television

In the United States

Europe

Etymology

History

Geography and extent

Physical features

Biodiversity

Demographics

Territories and divisions

Political divisions

Independent states

Dependent territories

Unilaterally seceded territories

Territories under United Nations administration

Table of European territories and regions